Inspirations

Come Walk With Me

Happy summer to all!

It has been more than just a “while” since I have been in touch with my email friends.  If you have been with me regularly, you may want to bypass this.  I haven’t disappeared.  I am here and I am doing well. I want to invite you to a solo exhibit scheduled about one short month from now, in nearby Etowah TN, in collaboration with the Tennessee Overhill Heritage Association, an organization  that promotes the historical and cultural heritage of southeast Tennessee. Over the past two plus years, I have immersed myself in intense drawing experiences that have led to this exhibit.  During what I call “The Year of the Horse”  I was sharing on social media and on this site, many of the hundreds of images of the horses I had spent time with at Solstice Ranch, just down the road from where I live. You can see many images from that experience here or read about it in some blog posts here and here  The experience with the horses gradually morphed into drawings and paintings of cows, and chickens and ultimately to the road itself that I started walking regularly  through the past year.

It has been a growthful experience for me as an artist and as a human being, to concentrate on a single area and  learn to love it even more than I did before.  When I suggested sharing some of these images at the gallery associated with Tennessee Overhill, the director, Adrian Lambert, welcomed me with enthusiasm  The paintings in this show, along with an accompanying narrative that wrote itself in the process, are all spontaneous and heartful responses to the beauty around as well as in us all the time, even on a small country road in rural Tennessee.  Nearly all of them were done en plein air,  outside sitting in a field or along the road with the wind and the chill or intense heat, and bugs as my companions! I am happy to share this event with you and would love to have you join me.  I hope to be able to post the show in its entirety on this website, sharing with those of you who live at a distance from here, too.  Here are the details with a painterly hint of what you can expect:

An exhibit of watercolors and drawings from travels on Copeland Road

July 3 through August 30 Thursday – Saturday, 11-7

Opening reception July 3, 2025  6-8 p.m. 

Nancy Cantrell Dender Gallery, Etowah Arts Commission 

700 Tennessee Avenue, Etowah TN

Come Walk With Me, the virtual exhibit

virtual exhibit available for viewing by July 6, 2025

 

 

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kimono image and magnolia flowers

A Band of Mothers

In art, as in life, sometimes the journey leads us in unexpected directions.
Such was the case with the twentieth kimono in my series.(you can see the entire series and how it came to be here ) It has been a long and exciting journey with some very unexpected twists and turns and as so often happens the journey has been as important as the destination. Over a year ago (evidenced by scibblings in my journal) I started entertaining a final kimono in my series, commemmorating all the mothers, in my life. I started with the most obvious: my mother, my sister, my aunts, cousins, nieces, teachers, role models, friends …….those who mothered, not only my body, but my spririt, my mind, my soul, my heart, my art. The list kept getting longer and broader until it encompassed Mother Earth herself! Symbols of so many different aspects of these mothers percolated through my thoughts, including needles, garden books , letters, photos, fabrics, even clothespins! The “stuff” increased and the imagery became more and more complicated. The world events of the past two years created a complicated backdrop that included mothers visiting their children through hospital windows during covid; the mothers and grandmothers of Ukraine and the beautiful Polish women who welcomed them into their homes; bluebirds and nuthatches in their springtime nests around our home, the novel I was reading about the women of the Great Plains, young women giving birth, family stories…..all spoke of motherhood to me. Everywhere I turned I seemed to be met by mothers and their strength and beauty.
On an unusually warm early spring day, I sat near a star magnolia in my yard, and drew.That’s usually where my head clears best and my heart can see through the clutter. This magnolia in all its pure white beauty spoke to me of life and motherhood. The branches were twisted and complicated. Some branches bore new buds not yet open right alongside spent brown and withering flowers. Some branches even had greening leaves. “Simplify, simplify, simplify, “the magnolia said. I drew and then started to paint. Then I painted some more. I awakened at night sure I knew what direction to take to move this painting that had no real direction into a kimono, only discovering after another day down another path, that it too was not the right one. I “auditioned” ways to develop the core painting: weaving, piecing, stenciling, quilting, stitching by hand and by machine. I ended up rejecting them all after hours of unsuccessful attempts. The process itself became an integral expression of motherhood. I felt like the birth of this kimono was unlike any I had done before. I was in a very long hard labor, knowing

kimono image and magnolia flowers
For All the Mothers

as mothers do, that even the pain of creating is part of the beauty of motherhood.

The final image here was done in memory of the women (and some men) in my life that mothered me each in their own unique way. It is really very simple but has layers that probably will only be recognized by me, or some very perseptive soulmate. It has been an amazing journey as this piece came to life. Every stroke of my brush awakened another precious memory. I am filled with gratitude.
Will it be the last of my kimono series? At this point I am not sure. At one point I thought #10 would be the last. But they kept on coming. I hope to stay open to the possibilities of things to come………

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Why “Sycamore Notes?” she said….

If you knew me before my move to the South in 1996, you may recall my gallery on the campus of Villa Maria College/Gannon University.  It was a special place for me that I called Sycamore Gallery.  There wasn’t a sycamore in sight on the campus, but I drew inspiration for the name from the only reference to a sycamore in the New Testament.  Remember Zacchaeus, the little guy who wanted to see Jesus but couldn’t because of the crowd?  Zacchaeus climbed the sycamore tree to get above the crowd and see!  For me, that’s what art does….music, poetry, the visual arts, dance….art of any kind.  It takes me ABOVE THE CROWD so I can get a glimpse of the divine.  It’s as simple as that.  The thought has stayed with me and is the inspiration for this blog and for all I do as I paint, draw, or write.  To keep reminding me to get above the crowd, the noise, the distractions, there are two sycamore trees planted on our property in Ocoee TN.

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Old man in profile

John the Vagabond

Close-up of old man's face
John in Technicolor

In the mid 1970’s I was a student at St Bonaventure University in Olean NY working on a master’s degree in biology over several summers. During one of those summers I met and befriended a man with a long white beard, tattered layers of sweaters and shirts, and a braided knot on the top of his head!  Colorful?  You betcha.  John the Vagabond, as he referred to himself, told me stories of traveling the globe, meeting people and learning from them, and imparting his personal philosophies and guidance along the way.  He was there at SBU to take advantage of tuition-free classes for seniors, studying psychology so that he could better counsel the people he would encounter along his personal journey.  We talked at length while strolling around the beautiful campus  At summer’s end, I gave him my address in hopes that I would hear from this very colorful personality.  And I did.  In fact, a letter-writing relationship developed that lasted until his death in 1986 in Bradenton FL  Fast forward thirty years when I received an email from John’s grand nephew who had inherited a box of John’s personal items, among which were letters from me to his grand-uncle!  Email exchanges and phone calls followed.  I found among my own treasures a stash of letters from John that I had saved and two old b&w photographs I had taken of him at SBU.  More photos came from my new much younger friend and John’s relative,  and a collection of paintings and drawings followed (many of which are included in this portfolio.)  The story is ongoing and not quite ready for prime time yet, but on the way I have learned a lot more about John’s very interesting life, far more than I knew back in those student days.  This portrait embodies for me his colorful and caring personality.  He was an itinerant searcher of truth, a pilgrim of the universe, a teller of tales, and much more than met the eye.  It was my real privilege to get to know him then and now to learn about him all over again.

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